Portrait 360° | CAPOVOLTI
240 x 80 x 80 cm
Il termine razza oggi suscita ed evoca sensazioni contrastanti, frutto di condizionamenti mediatici, di ignoranza inespresse che oggi trovano voce attraverso i social media e il dibattito pubblico.
Il termine razza andrebbe usato solo per raccontare le differenze tra specie e non tra esseri umani. Il colore della pelle, la fisicità, il genere sessuale, vengono considerati e dibattuti solo per marcare delle differenze.
Differenze che immaginavo fossero superate da anni o che il processo di evoluzione culturale stesse prendendo la via dell’uguaglianza. Mi sbagliavo.
E’ un dovere attraverso l’uso del mio linguaggio comunicativo poter raccontare quanto oggi la società italiana ed Europea sta vivendo. In un caos di informazioni vere o presunte, CapoVolti ha la presunzione di poter fissare nel tempo attraverso l’arte dei concetti di uguaglianza, suscitare delle riflessioni sulla differenza tra genere sessuale e colore della pelle.
3 sculture di volti umani, identici nella forma, differenti nel contenuto compongono l’opera Portrait 360° | CapoVolti. Una donna, un uomo, una bianca, un nero; uno stereotipo classico dell’idea di razza, sviluppato attraverso delle rotazioni inconsuete dell’immagine rispetto alla forma costituiscono il concetto dell’opera. L’uomo ha forma e contenuto in posizione naturale, la donna ha forma e contenuto in posizione innaturale. Le due immagini opposte e capovolte raccontano la differenza, l’incomunicabilità tra i generi e le razze.
Una terza opera, che è l’unione delle due precedenti, presenta entrambi i volti nella stessa forma. Le due texture non si combinano, non comunicano, creano una nuova immagine che racconta e rafforza la mia idea di uguaglianza, apparente, non realistica, ma ideologicamente giusta. Il caos generato in questa terza scultura tra l’unione dell’uomo e della donna stimola l’osservatore a riflettere e a interrogarsi. Il caos è riequilibrato dalla forma, un’idea di silenzio che nasce dalla serialità della silhouette del ritratto, sempre identica, senza genere, senza razza, unica, un Human Default estetico.
A country with an incredibly rich art history, Italy has boasted prominent names that have influenced generations of artists since ancient times. From Michelangelo and Leonardo Da Vinci to Amadeo Modigliani and Giorgio de Chirico, best Italian artists have created masterpieces of global renown. Besides this rich artistic legacy that continues to inspire new generations of up-and-coming creatives, Italy has an inexhaustible contemporary art scene. Alongside Venice Biennale that was the first international art exhibition to display Contemporary Art, there are various other institutions and foundations focused on its promotion and development. Famous Italian artists working today retain this iconic skill and innate artistic passion, while utilizing their medium in innovative and unique ways. Additionally, the country has become the home of a thriving group of street artists who have managed to bring their country’s street art scene up to the level of those found in America, Great Britain, and France. Today they are internationally renowned for their art and are painting and exhibiting it all around the world.
With an overwhelming number extremely talented young artists coming from this country, creating the following list was not an easy task to do. So, scroll down for the list of most popular Italian artists, as well as emerging ones, you should most definitely know and follow!
Zed1 – Surreal and Detailed
Zed1 (Marco Burresi) is an Italian street artist who has been active on the urban art scene for more than two decades. Widely recognized for his surreal murals of awkwardly looking plump-face figures and mesmerizing bizarre imagery, Zed1 creates artwork which very often conveys humorous and dark messages of social and political commentary. Zed1’s beautifully executed and highly detailed spray-painted murals, which show his unique and provocative interpretation of shapes, appear like they come from a fairy tale populated by imaginary characters, elves, clowns and puppets. Apart from being strong evidence of his wondrous drawing skills, Buressi’s captivating art, found on walls and canvases all around the world, show artist’s masterful choice of colors.
Loris Cecchini – A Poetic Artist
Combining photography, drawing, sculpture, and installation, Loris Cecchini forms a unified poetics, the cardinal element of which is transfiguration. All these different elements in his work interrelate in a constant process of deconstruction and reconstruction. Having a curious nature and intrigued by the correlation between art and life, he explores the results of many different styles and sciences. Based on the idea of a “model”, his work ranges from collages, architectural models and rubber objects to distorted spaces and transparent surfaces. Familiar forms become altered versions that challenge the viewer’s perception. In his series Wallwave Vibrations, Cecchini created relief sculptural tattoos that seem as if pulsating from behind the wall.
Featured image: Loris Cecchini, via museomontelupo.it; Loris Cecchini Installations, via alchetron.com
Roberto Cuoghi – Exploring The Matamorphosis
Working with video, sculpture, installation, painting and drawing, Robert Cuoghi explores the diversity of form and appearance. His practice constantly engages the concept of metamorphosis and change of identities. One of his early works involved his body going through a metamorphic process to become his own father, pushing the physical capacities to the maximum. In another agonizing venture, he wore lenses that flipped his sight 180 degrees, hoping that his brain would eventually account for the shift and right his vision again. One of his recent works from entitled Šuillakku – corral version explores the hybridization through the large-scale, immersive sound installation merging music of Western and non-Western cultures as an imagined ancient Assyrian empire lament.
Featured images: Roberto Cuoghi, via youtube.com; Roberto Cuoghi – Pazuzu Figure, via leconsortium.fr
Never2501 – Abstract Monochromatic Murals
Mind melting and visually compelling monochromatic murals of street artist Never2051 (or just 2501) captivate viewers with their strong abstract imagery and amazingly skillful line work. Created with nothing more than paint brushes and, in most cases, only black and white colors, his paintings of numerous curved lines that turn into wonderfully detailed abstract characters and shapes, demand strong attention from audience in order to be fully comprehended. Being extremely energetic and prolific artist Never2051 has, in the last twenty years, been extremely active in the street art scene and created an astonishing body of work that has been exhibited on walls and in galleries worldwide.
Domingo Milella – Capturing the Coexistence of a Man and Landscape
An established Italian photographer, Domingo Milella creates epic contemporary landscapes that reflect the old-age concern of how man and landscape coexist. Capturing caves, tombs, ancient sites and hieroglyphs, cities, homes, and cemeteries, he charts the man’s imprint on earth and the point where civilization meets nature. Developing this project over the course of the last nine years, he is focused on creating an aesthetical catalogue of “the human landscape as it is”. These photographs emerge from and challenge classical ideas of the landscape in art history, and seek an alternative iconography in which an almost forgotten past coexists with the present.
Featured images: Domingo Millela, via checifaccioqui.style.it; Domingo Milella – Gagliano Castelferrato, 2007, via parisphoto.com
Vesod – Geometric Figurative Work
Artistic attitude of Vesod has been greatly influenced by his father, Italian surrealist painter Dovillo Braro. Born in Turin in 1981, he started developing his interest in the graffiti since the early 1990’s. Over the years, while pursuing academic education, he developed a personal painting language which drew inspiration from both renaissance art and futurism. With the idea of representing the three dimensions of space and time, Vesod paints geometric figurative work of exploding colors and deconstructed forms in perfectly balanced compositions. Using nothing more than cans of spray-paint Vesod produces intense and masterful images of high contrast and staggered motion, which blur the borders between fine and street art.
Moneyless – Geometry as the foundation of nature
Teo Pirisi, also known as Moneyless, got involved in the street art movement during the 1990s as a member of the Tuscany graffiti scene. During his studies at Carrara Fine Art Academy he developed his unique signature style of geometric art which seems to quote a Platonic vision of geometry as the foundation of all nature. Coming from the graffiti background, Moneyless experimented with the letter forms, gradually simplifying them to basic lines and geometrical patterns. Through his bedazzling paintings and installations, he shows an amazing artistic ability to transform abandoned or natural environments into cutting-edge, admirable pieces of art by reducing things into their rawest form and trying to say more with less.
Filippo Minelli – Exploring the Aesthetics of Protest
The versatile artist Filippo Minelli was initially engaged in street art, developing his own unique style based on the aesthetics of protest. He brought politics to a new level bay decontextualizing the use of tear gas, reversing the function of flags, and borrowing from the aesthetics of protest slogans. In 2007, Minelli started his ongoing project entitled Contradictions, a land art project where he wrote the names of social networks and corporations on the walls of slums in developing countries pointing out the gap between the reality we live in and the ephemeral world of technologies. Beginning in 2009, his ongoing photographic series Silence/Shapes portrays smoke bombs in romantic landscapes, juxtaposing the beauty of nature with the violence and chaos in political demonstrations.
Featured images: Filippo Minelli; Filippo Minelli – Nothing to Say, via graffuturism.com; Filippo Minelli – Silence Shapes, via normalsoup.blogspot.com
Peeta – Spectacular three-dimensional graffiti
Peeta (Manuel Di Rita) is an Italian graffiti artist, painter and sculptor who is internationally famed for his mind-boggling three-dimensional graffiti which appear to be flowing above the painted surface. Member of several renowned international graffiti crews (FX, RWK and EAD), a true master of shading techniques through the use of gentle gradients of color, Peeta creates spectacular artworks which give the illusion that light is hitting them from different sides at the same time. Using careful perspective, his perfectly shaped, spraypainted graffiti of formidable visual depth appear like sensational hovering sculptures of vertiginous and shiny shapes that seem to twist and wind in front of the wall.
Gianluca Traina – Fusing Art, Fashion and Design
An Italian contemporary artists and designer, Gianluca Traina is best known for his projects PORTRAIT 360. Mostly concentrated on sculpture and painting, he employs different media and materials such as paper and PVC. Fusing art, fashion and design, his works strives towards the connection between the art object and the viewer. His famous project PORTRAIT 360 is a series of portraits where he incorporated two-dimensional images with three-dimensional elements. Mixing flat surfaces with the contours of the human body, this projects depicts the concept of depersonalization. With deformed portraits resembling a mosaic, these pieces confuse both identity and gender.
Valerio Berruti – Depicting Family Interactions
Valerio Berruti is an Italian artist working with drawings, paintings, and sculptures. He reproduces images essentially of everyday life and family interactions. In 2009, he exhibited at the 53rd Biennal in Venice where he presented a video animation composed of 600 drawings put together with music by Paolo Conte. His sculptureProtect me Everywhere from 2012 is created from plasma-cut cor-ten steel and it demarcates the Bricco Rocche estate. Clean lines casting shadows on the ground form a fundamental and integral element of the work. He currently lives and works in a deconstructed 17th-century church in Verduno which he bought and restored in 1995.
Featured images: Valerio Berruti – La Rivoluzione Terrestre, via artribune.com; Valerio Berruti Drawings, via 29artsinprogress.com
Sten and Lex – pioneers of urban stencil art
Sten & Lex is an Italian street art duo, internationally acclaimed for their stencil art they have been doing together since 2000. Sten (Rome, 1982) and Lex (Taranto, 1982) are considered to be pioneers of urban stencil art in their country, who utilize unique halftone stencil technique combining collage, stencil and op art, style they have developed to perfection. Today they produce gigantic portraits of mainly anonymous people, made from their own photographs and consisting of thousands upon thousands paper strips. Their art is poetic and at the same time extremely powerful and it has become a part of the urban landscapes of cities such as Rome, London, Paris and New York.
Luca Francesconi – Admiring the Symbolic Rationality
The artist Luca Francesconi attempts to explain the phenomena of the world by using the irrational and the “para’s” of the underworld. Through scientific knowledge, biology, physics, ancient philosophy, the occult and magic rituals, he creates personal mythologies with an eminently metaphysical expression. In this way, he tackles complicated themes and issues through seemingly simple forms. Formed around diverse dualities, his pieces emphasize the relativity of our perception. Using found objects that the river Po carries along, he transforms these discoveries into the very subject of his work. His art connects the nature with culture, attempting to search for the origins of the world. The admiration towards the symbolic rationality is evident throughout his work.
Featured images: Luca Francesconi, via bbc.co.uk; Luca Francesconi – End of the rivers, 2014, via progettodiogene.eu
Blu – Anonymous Genius
Blu is an extraordinary street artist from Bologna who has been involved in the Italian street art scene since the late 1990s. All this time he has been very successful in concealing his true identity, which is pretty fascinating given the sheer size of his easily recognizable public artworks. Blu’s epic scale murals made in house paint, with the use of rollers and telescopic sticks, inhabit urban and industrial landscapes of cities throughout the world and stand as artist’s commentary of social and political controversies. His most famous artwork is a seven-minute silent animated mural called Muto which is composed of hundreds of wall paintings, and which took several months to create in the streets of Buenos Aires.
Agostino Iacurci – Boldly Colored Murals
Agostino Iacurci is one of the most prolific Italian street artists, recognized for his monumental, multi-layered and brightly colored murals of synthetic forms and flat shapes. Always considerate of the architecture and context of the environment he works in, Iacurci creates seemingly simple and very accessible artworks of boldly colored, whimsical characters which lack gestures and seem to readily accept bizarre situations they often find themselves in. His signature narrative-like style paintings can be found on walls both small and large all around the world, including some of the more exotic locations such as the skyscraper in Taiwan, school in Western Sahara and inside the maximum security prison near Rome.
Andrea De Stefani – Critically Observing the Environment
Addressing the way we perceive urban landscape, Andrea De Stefani likes to observe his environment as its critic, finding an array of connections, situations, and even truths. For him, the cognitive process is not amorphous matter. If cognition is an articulated process, whose extent is determined by numerous factors, an attempt to reproduce this experience depends on the disposal of a ‘favourable climate’ in which it can be reproduced as an image in its entirety. This year, he has won the miart fair award, the Menabrea Art Prize, dedicated to artists who are not represented by any gallery. The winning piece is a sculpture entitled On the beach, 2gethr, 4eva, and it is a hybrid of the Japanese bonkei and a tray landscape, all enclosed within a large glass box.
Featured images: Andrea De Stefani Installation, via artribune.com
Pixel Pancho – Large-scale fantasy world
Pixel Pancho is a highly talented street artist from Turin and one of the most outstanding protagonists of the Italian urban art scene, who specializes in large-scale murals, and is considered to be one of the most prominent artists in his field. This graduate of fine art studies has been creating original street art work, reminiscent of Michelangelo’s classic compositions, since 2001, steadily gaining a large following. Pixel Pancho uses a wide variety of mediums to create mesmerizing paintings of a 1950’s futuristic fantasy world, filled with hybrid robotic creatures and references to pop culture icons, executed in an earthy color palette which gives them a more ancient feeling.
Giovanni Kronenberg – The Art of the Wunderkammer
The artistic oeuvre of Giovanni Kronenberg is rather intriguing and it calls to mind the world’s most extravagant wunderkammer. Using objects like sea sponges, a whale vertebra, a 300-years old, large bonsai, the narwhal tooth, and other hard-to-find items coming straight from the cabinet of curiosities, he throws a sharp spotlight on the ancient-like sculptures of natural forms. Placed in a suspended time, these sculptures made out of visionary artifacts are surrounded by the elusiveness of geological eras past and future. Taking us back to a different time, his art makes us question our evolution.
Featured images: Giovanni Kronenberg Installation View
Michele Gabriele – Creating Containers for Finite Narrative
Inspired by the paradoxes created by the differences between digital images and physical works of art, the work ofMichele Gabriele focuses on the disappointment these differences often end up resulting in. Using a variety of materials such as concrete, dog food, rocks, or appliances, his practice is very versatile. The majority of these materials seem as if they could be found in post-apocalyptic environments. He manages to tame visceral reaction by interacting the ostensibly grotesque with the idea of thematic play. His main interests are the shapes made by humans and the rest of nature, as well as architecture. He describes his pieces as containers for finite narrative.
Featured images: Michele Gabriele; Michele Gabriele Installation View, via atpdiary.com
Alo – Strong Lines and Blocks Of Color
Alo (Aristide Loria) is a street artist from Perugia who has been living and working in London since 2011. He is widely known for his unique abstract and geometric portraiture, which features strong lines, blocks of color and text replacing objects and organs. Alo’s art is strongly influenced by both German expressionism and African art, and it represents the artist’s research of human feelings and troubles. Alo creates all of his public works on site, but he very often cleverly chooses to paint over previously fly posted posters to give his pieces an effect of paste up, and even though he uses the same technique for each of his colorful pieces, each character he paints retains its own personality.
Attracted by the beauty of fabric construction and starting from the concept of warp and weft, I developed a system of representation of the image curious and innovative.
I started to investigate the ways in which a sheet of paper can change according to the type of cutting and bending, and I have identified in the system of weaving an alternate way to construct three-dimensional shapes. The idea is not to create three-dimensional objects based on body shape, but turning a two-dimensional surface like paper or canvas, 3D object adapted to body shapes. I have been using these two-dimensional surfaces as pictorial space and through an elaborate system of digitization of the image I created three-dimensional portraits. The result is a colorful sculpture of paper or canvas intertwined. Are portraits. Are people. Anonymous identities. It is an abnormality of mind. Portraits are a 360° of contemporary people.
Despite the surprising complexity of implementation, the forms created enact an authentic game of surfaces, shapes and colours. It expressed willingness to intrigue the viewer through a Visual and tactile experience, activating of processed perceptual processes based on sensory and cultural contrast.
Portrait360 is the human being urban, global and contemporary. Approved form. With city stars. Free to be aesthetically anonymous. Are visions to 360 degrees in human beings social, which put us face. Make that Portrait360 is conceived as head wear. Therefore available to changes in taste.
Attratto dalla bellezza della costruzione del tessuto e partendo dal concetto di trama e ordito, ho elaborato un sistema di rappresentazione dell’immagine curioso e innovativo.
Ho iniziato ad indagare i modi in cui un foglio di carta può cambiare secondo il tipo di taglio e piegatura, e ho individuato nel sistema di tessitura un modo alternativo per la realizzazione di forme tridimensionali. L’idea non è creare oggetti tridimensionali basati sulla forma del corpo, ma trasformare una superficie bidimensionale come la carta, in oggetto tridimensionale adattato alle forme del corpo. Ho utilizzato queste superfici bidimensionali come spazio pittorico ed attraverso un elaborato sistema di digitalizzazione dell’immagine ho creato dei ritratti tridimensionali. Il risultato è una scultura colorata di carta intrecciata. Sono dei ritratti panoramici. Sono delle persone. Delle identità anonime. E’ un anomalia di pensiero. Sono dei ritratti a 360° di persone contemporanee.
Nonostante la sorprendente complessità della realizzazione, le forme create mettono in scena un autentico gioco di superfici, forme e colori. E’ esplicita la volontà di incuriosire l’osservatore attraverso un esperienza visiva e tattile, di attivare degli elaborati processi percettivi basati sul contrasto sensoriale e culturale.
Portrait360 è l’essere umano urbano, globale e contemporaneo. Omologato nella forma. A corredo di città protagoniste. Libero di essere esteticamente anonimo. Sono delle visioni a 360 gradi di esseri umani sociali, che ci mettono la faccia. Faccia che in Portrait360 è concepita come abbigliamento della testa. Quindi disponibile a variazioni di gusto.